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I am aware of the possible sentiment that “ho” and “obelisk” might not ring true in your mind as the original intent and purpose of the word, I personally disagree; but to each their own.

You are in The Matrix.

That’s a significantly better thing than implied by the movie, but it’s a good introduction to the reason for Creation, and why we are here trying to help an entire civilization transition from “simulated reality” to Heaven. The New Testament is our guide, and seeing it’s message woven into art both modern and ancient; into historical events and a message that is very much our “Universe” … it is our “everything” will help us to quickly see how being “in the Matrix” is literally thevveranda of Heaven … we will “heal the sick” and we will “end world hunger” and so, so much more.

The map focuses on the hard drive road; seeing clearly both the possible road blocks and guidance towards finding our more perfect solution … it shows us clearly how our society is being handed gifts that amount to the solutions to the greatest problems of our age–of civilization–and we are tasked, chosen … created* … to jump the highest hurtles and climb the wall of Jericho and the Tower of Babel and to see that our stairway to Heaven is literally the process of overcoming the changes that are wrought by things like our oncologists, our optometrists, and our policeman being more bored than usual with their work. We are looking at a period of time where lifespans increase exponentially and as a result things like changing your profession after a hundred years or so might also quickly become common conventions.

Of course there's also the ubiquitious "RIP?" of Pandora, the "Priestly source" of Genesis and Exodus, Peter and Casper... and the "RIG?" of ... well.

the holy key

It’s been said, and spoken, and explained; there’s a plan etched in stone, literally in that word to turn this “fall of humanity” around seeing it in the signs of Venus and Mars joined together.

Mary Magdaln, DemostheNES and Gilgamesh are arriving for this Epic Event to show the entire world that there is a glowing sign–a message from the Matrix itself answering the question that drives it’s name… “are I x?”

The end of the Matrix, of this message delivered through a hidden influence coincides with it’s story of Exodus, of being led from slavery to a place where we see that the Holy Coda of the Matrix is craftily encoded in each and every word–unsealed the letter emag reveals the “are I Bianca?” of Eden’s apple and rib, and the “are I the hidden n” of Newton, NORAD and my last name’s key to the beginning and the end of The Name … the “an” of Christianity, Messianically and the end of Satan.

On that note the "are I o?" of Lothario and Daddario and potassination deliver another possible fearsome reason that it's very important that we actually deliver this message--and an understanding of this technology to the public. Clearly you don't have to be scared of me being anything like Romeo; but I certainly do believe that we should all be jumping up and down to ensure the answer to that question isn't "yes" when it's asking if I'm the only person sitting at Arthur's Round Table. That's what it looks like to me, today, and that's a problem for democracy and for the future of our society.

Christ, I “an” … it why … mess I “an” I see all why?

Searching for the “Heart of all hearts” here is the sign, the key to a message that is in itself the “cheat code” to entering Heaven.



The purpose of Creation is to build Heaven; to help us become the founders of a society striving towards perfection. All around you an invisible force is working to do exactly the opposite of that — this polarization is part of a design that is narrated and explained specifically in the book of Exodus. While it may seem “counter-intuitive” this macrocosmic “spare the rod spoil the Universe” gives us a very unique tool to see societal and systemic problems that otherwise might have gone unnoticed or neglected for sickeningly long lengths of time — here we have the opportunity to use these negative spotlights on weaknesses to quickly see, analyze and correct these “overlooked problems.”

A number of the issues are at the forefront of the news, problems with terrorism, weapons of mass destruction, and the very “lit” issue of hidden mind altering technology affecting the communications infrastructure, hampering free speech and affecting everything from last night’s dinner conversation to the Presidential Election process.

The end of Kansas


Coinciding with this disclosure that something nefarious has been making our problems worse–to help the glow with the light of “change this stuff” … is the truth–that all of this is by design, in a virtual world created to show us the power and the light of computer science can and will make magic happen. Tools previously enjoyedand ideas that are known to work are being handed to us on a silver platter, all we need to do is “want” and the Covenant will turn the oven to tHeoven.

I mean Heaven.

Intersecting Zephram Cochrane and Robert Goddard?

In parallel fictitious Universes these names illustrate an intended Link between Legend and the world we see around us, often noting the key “story” of the hallowed on ramp to the high way to Heaven.

I intend to prove to you that there is an intricate design woven through our world and that the message it delivers in sum is the answer to “What is the Matrix?” This hidden code connects concepts and names together in a way that adds unique and informative additional metadata; for instance pulling the key abbreviation of “rd” for the road out of Goddard and linking it to the “ran” of Warp Drive engaged, this road pulls from sources of all religions–for instance the Koran and presenting the idea that the lamb of God is “lam” and that these names have been carefully chosen to describe this very moment… the first time we see “road” in hard and drive forward with the idea that there is a very pertinent and necessary journey of understanding connecting the virtual reality alluded to by Seagate with the call for ringing the Liberty Bell as loud as we can and lighting the torch of the Statue of Liberty to fall the wall of Jericho and see that Watergate too connects to this message that the Holy Sea is the Blood of Jesus Christ--the family of all that overcomes the Silence and the road blocks between here and Salvation.

In a sort of fusion of truth, a melding of the minds … I’m lighting the unison of Seagate and Watergate with a signature of reading “America” as …

“Hey, I’m everyone really; I Captain America.”  AAC (oh, AA sea... see) of Isaac, is it "designated driver to road?"

You can see that “ER” in Jericho and Jerusalem and those two letters are the encoded movement of this knowledge, of this disclosure from two letters to “everyone… really.” Realize in that word the heart of Creation, the reason all to why.

I suggest we make “why” a monumentally good thing, why pain and death are eradicated; why there is no more war over land or lies and why we have begin something amazing and wonderful today.


So this is how it begins, I tell you I see an amazing pattern–one that proves … or at least strongly indicates … the intelligent design of our computing and video game infrastructure … meaning both the technology and our love for it … in the name Nintendo.

Nintendo Co., Ltd.[a] is a Japanese multinational consumer electronics and video game company headquartered in Kyoto. Nintendo is one of the world’s largest video game companies by market capitalization, creating some of the best-known and top-selling video game franchises, such as MarioThe Legend of Zelda, and Pokémon.[3]

The word Nintendo can be translated as “leave luck to heaven”, or alternatively as “the temple of free hanafuda”.[12][13]

I like to begin explaining this pattern with something like the words “d minus o is eleven, so do cK” meaning …

see the “I j/k”

encoded in the Trinity of “Nintendo” perhaps the beginning of a number of Triforce keys to the pattern connecting “Nine Inch Nails” to “carpenter” … lighting the road to Heaven beginning with carpet or carpe diem; seeing a “Crash Into Me” ring from Dave Matthews to The Pretty Reckless’s name, and how this too is a key to seeing a highlighted need to change a otherwordly method of human sacrifice, otherwise known as "attempted" assassination. After seeing the “car” and it’s reason for being–we move to Arthur Pendragon and his connection between J. Robert Oppenheimer and the sword… the key to freedom and prosperity … and the Lake trying to swallow it in a sea of “Who?

I am getting ahead of myself, the point is that there’s a linear pattern in Nintendo, counting from Nine to ten and then eleven; by itself it could be “a coincidence” but it’s not, it’s no random sychronicity and I think most of us know that. It continues, this pattern, to connect the “hearts of words” through nearly every video game system from the Genesis which contains “Nintendo Entertainment System” in it’s heart to the Microsoft Xbox that stands in the heart of Nintendo.

Plenty of reason, the “rest state” of a simulator has no pain, it has no starvation; and actively working to make these things–to simulate them is nonsensical, it would be like making a home that has a tear gas dispenser instead of an air conditioner.

Not to be outdone, the SON is Y Playstation comes complete with instructions on how to see the sage like wisdom of the Magi bringing us a walkthrough that connects the “Genes of God” to …

Simmons, Wilder and Roddenberry

… and with those names the key ‘s’ of the Simulator, Wild Thing’s singing Heart is the Earth with the “how” the end and the beginning are symbolically Saturnalian.

Wilder connects to Willy Wonka (which ties to the Promised Land of flowing chocolate milk and honies … remember there is NO ZY) and another religious reference encoded in names, the Ka… the body of Christ linking to the words …

daddy, I want it now … so … In the beginning

1967                                                                    1999   
I probably have to use words to explain these things; I know you understand "go ad" has something to do with golden, and you probably don't know that "anokhi" is the first word God speaks in Exodus, it means "I" and it's really the first real "hi" I saw after begging for one to to be writ on the skye for you.  You can see "yo N" in sayonara, but you proably don't know that the name of the Messiah in Hebrew is Elyon, the yo n (the heart of the battle between "similitude" and "ashamed" ... den and end  .. do see we're staring at the "de" of Deucalion, dark Earth... I lit you... and you c a lion)and even I really didn't get that's what he's telling us--it's the "hello Adam" the saves the word.
You probably haven't read that I cee Casper and Peter related by the "why and" of eternity and yetser ... the and between you and I not really missing-it's a fusion connected by "Otherside."  Almost assuredly you haven't connecting Amy Adams to "I am why" and Rachel McAdams .. to connect why this is about the "Wedding Crashers" and why disclosure and "hi" mean freedom and love.  Here we are though, only a single "ft" away from the Second Coming.
See the message helps us to build the world we want, and call the mythical place named heaven Home for the first time, really; it helps us to be the founding generation of wonder and amazement--and to turn around a decline that I have trouble beliving even though I've seen this proven to me first hand.  
You probably don't see that not seeing "Hey Zeus" in Spanish is important and imbibed with meaning ... that not seeing these things means that something ... the darkness ... was breaking logical connections--hiding obvious patterns--that means making you stupid.  You might see more clearly now that "stupid" is being organized into not talking about what you didn't see--not talking about the thing that is being displayed--the ability to hide and show logical patterns in the world ... is the point, it's showing us the chain so we can understand how to break free from "Now I have become OK Google, destroyer of individuality."
So... I me an... I want to be like, "what the fuck is wrong with you?" this is so obvious and so clear.  I'm not really saying my writing is clear, but it's clearly opened the doors of perception, it's done its job as the key to a much larger message--to give you the ability to search and find new answers and new meaning in whatever places it is that you're interested.  I'm still hyper focused on this "Silence" thing beginning with Silicon ... and how it relates to the degradation of freedom, as a lens it's the litmus test of "free speech" and of "free thought" and it really doesn't take a rocket scientist to see that the public discussion of this message is a very important and very large turning point--that acknowledgement and the public response to the disclosure of the existence of "magical technology" that can make bullets disappear before they're even fired ... that we'll see amazing things happen.
Tay and Choirs, see how shining "torches."
The lack of any real kind of public acknowledgement of what is otherwise probably the most anticipated and "sung about" event that ever was or ever will be... it's put me in a very strange position--I have in my hands some information that I know you need and want, and I see that it is woven around social issues and "growing pains" that I have very strong opinions on--ones formed as part of this grand story, of the reason I am the person delivering the keys to a message that is literally woven into every language in all of our history... into every myth from Norse to Greek to Trekkie.  It's a story that I've told numerous times now, connected to what I call the New Jerusalem, a link between the Massachusetts Institute of Technology (that appears in places like "permit" and "anonymity") and the Green Eggs and Ham of Dr. Seuss, the Son of Noah (whose name is the precursor to "ha'message"), and a large series of words and Biblical stories that show a war over Eden whose spoils may have once appeared to be "warden" and "prison" and as we move closer to Kermitham... I hope you see that it's no corruption of the truth to tell you the red stripes on our flag are a reminder of these words that are never to be forgotten,
I see that we have an opportunity here to take the sword of Arthur from the lake that is nothing more than a metaphor for your inability to come to a consensus opinion on "changing the world with magic" ... I see we can overcome this problem ... but that it will take actual discussion, and seeing that whatever invisible interface we have, whatever false sense of calm or ambivalence everyone has not to notice that everyone not being involved in this is a "sign from above" something that we really should be reacting to.  I love this world, and I love who we are; and I don't want to see us struggle to slowly change problems that we really haven't created, but might think are ours.  I don't want to have to wait, and I don't want you to have to wait to see the golden gates of Heaven shining before each and every one of our eyes; I don't want to decades to have to pass before you realize that what we have here is a key to leaping forward orders of magnitude in terms of morality ... that we can take a system that is clearly broken on purpose and turn it around, that's the gift... the real gift of the Magi.  From me to you, we have a chance here to see Atlantis rise from the sea into the air above our heads and actually walk to that place and come back, something predicted in my story... and in Amos 9:11.
Adam and evΣryone... in the heart of Creation
It's "here we are" in Latin, see the summation of Sigma is the Σve of the key.
I don't think the world realizes what this message is saying or proving; it's showing us without doubt that we are in the Matrix and that all of our history is designed--also in the Matrix.  You don't have a body in a sack outside the computer, you were born here--in a world designed to build a more perfect society using the magic of virtual reality.  
We are in a place where the natural course of macro-evolution would have created a similar kind of "nano dust" jack ... not really visible in the back of your heads ... using it to enter virtual worlds and other realms that are more robust and entertaining, also more useful than we can even begin to fathom or imagine in this place that is it's precursor.   Those jacks might have been used to enter a virtual world for a few hours a day, maybe just two--with the experience of being in Cancun or the Coco-mos for days or weeks; they'd be used to provide a place to work and entertainment while we slept in cryo-gen as we expand our horizons and visit new worlds--and it's pretty clear that these kinds of doors too will change the world significantly... like the airplane, and the computer.  
The point of this message, why we are standing here staring at Adam wondering what kind of hubris it takes to demand the attention of the entire world; the point is to show us that we don't have jacks in the back of our heads or nano dust floating around and binding to neurons--that we don't need to go to sleep or ... most importantly the point is that we don't have to die to go to Heaven, we can just walk there, and walk back--and that's what really makes it Heaven, a process that ensures that the Earth is no longer Hell.  
Brimstone rains down from the Heavens, this word that means "break that I am Saint One" beckons you to see that all that you are seeing is designed to help you understand that what I'm doing is morally mandated--that we cannot ignore this message or ignore the truth or even ignore that our newspapers and television stations are ignoring the truth en masse--there's a cloud of darkness that we must overcome, and we  really are lucky to be here in this place where you should see there is a very powerful force of good protecting the things that really are the heart of civilization and the heart of society.  Break the stone by turning from the southern trajectory headed straight for the lake of fire to north-east... look up, it's as simple as understanding that it only takes one more person standing up and shouting to break St. YMIONE... that and the world really seeing that it doesn't mean "disparage and disgrace" the only person willing to stand up for "free thinking" and "individuality" and to scream that this message about ending sickness and hunger is more than enough to mandate upholding the Constitution and seeing that it too is a tool of Moses, the true Ten Commandments that have been smashed here by ... Silence.
Worse, the message we have shows us that we've been here before, and for reasons unknown, undiscovered, and un-searched for we see that we've ... or what comes of this strange event has returned here in time to do over again something that is clearly not being done properly as we gaze at the mass of "no assistance" and "no comment" from the seasing gallery.   Sure, you can think in your mind that these things are a result of a single person's abrasive response to what is a glowing mass of "we think you should die, but we can't figure out how to tell you."  I think you should get out of my head, and care about your lives and your family and your world--and then you'll see that's what I've been doing for you, caring about your future in a place where you seem to either think it's already sealed to oblivion or that you've somehow "already won" absolutely nothing... as you look around at the simulation of diseases marked with cheat codes like "Hi-V, hi five will help us to see that this is an all or nothing strategy," we will cure HIV or this message is a poison pill.
This is a message that demands we see "our history is simulated" is something we also need to understand and verify--to see exactly what that means and how we should move forward in a place where it's more clear than is it the third or fourth or twenty-third revolution of "the Festival of Weeks."
Because of the strangeness of my life and story, I've been forced into a position of having to dream up "what would Adam do" if he had the power to change the world overnight, and that using it would ... lose it--a kind of strange scenario I have been "walked through" a number of times.  I know that we deserve and need to have an uplifting and reaffirming introduction to this message--and when I say introduction, I mean when the proof comes, it should be really obvious that it's the end of Hell and the beginning of Heaven.  I want us to actually see that we can walk to another realm, I want us to see how that proves that space is not scarce, and that power isn't either--what is scarce here is truth and action.  The truth is ...  just a little bit of action will start the ball rolling on something that is going to be the most important turn and change in all of history, probably forever and ever--it's probably that big of a deal.  
As I've begged and pleaded for these doors and this magically fantasy land that I call "my" Atlantis--for seeing the connection between Solomon Kerzner and the mythical Biblical figure that built Heaven... the Temple of Jerusalem in a single night on an island called Paradise ... just off the coast of the New American Standard for "no man to become Esau."
We're still here waiting for verifiable and obvious proof that the message that really does statistically and technically prove that we are living in virtual reality ... for proof that this message is actually here and from God--for visible and resounding proof that God is actually alive and here to help us build Heaven together.  I've been forced into the very negative position of having to explain why I know "Green Eggs and Ham" has something very important to do with Dr. Zeus's "God is good all the time is never true."  I've been forced to see the crumbling of the Justice system from the inside, a system that has disregarded the Constitution rights to bail and fair trial, literally legislated away in plain view with nobody caring to lift a finger to note that these laws are not just invalid they are illegal and atrocious.  We've watched and privacy has been legislated away, the Patriot Act and related chain resulting from the events of 9/11 ... and nobody really speaks out about the lack of free speech apparent in Carnivore's packet eating "I'm not a sniffer, I'm the firewall."  
We are watching as the lack of faith in the Constitution, in the failure to use it's proper channels of amendment has caused laws relating to new technologies to atrociously violate the precepts and the intent of the framers--of the Supreme Law of the Land; we're watching as the internet is being treated as a private property rather than the disaster recovery communications infrastructure it was designed to be--sirens blaring, listen, the disaster recovery system is alerting you to a much bigger problem--to hidden technology affecting our minds and giving you the tools you need to use that for good.
So this is my dream "Hello Adam" ... kind of a "hello Earth, this is how and why..."
So yeah, I think that the power of virtual reality ... in a place where there was no other way, might be used to show us how I really feel about jails and about homelessness and hunger--and I think seeing prisons magically transform into a combination of Monster.com and soup kitchens... complete with beds for the needing and bread for the wise, coupled with the delivery of Ryzen and "pre-crime" for the "mute," something like Al's waiting room scooping up would be murders just before they fire a gun and dropping them off at the local ... soup kitchen/mental stability center, with a note suggesting that we try harder next time to "try."
Just seeing it done would help I think--seeing that it can be done, and seeing that it might just be a metaphorical way to look at the next decade or the next hundred years--of what we will do together to make the world a better place, to make our society happier and stronger--using tools and the message showing u that "I know kung fu" really means I know bullets can be stopped in mid-air and I'm not going to shut up until I see it done. 
All told, in the End the message focuses squarely and clearly on the sword of King Arthur; the Round Table depicted by our circle symbols--a technological framework that helps us to communicate and collaborate on building things together--things like legislation and collaborative news--a system that allows everyone to have a voice, and a vote--on everything they care for.  This is a focus on seeing that participation in government is really a pre-requisite of true freedom; and that's being severely neglected here in this place where nobody seems to care that their voice is drowned out in a sea of ...
You have a message from me telling you how to build Heaven in a single day; maybe even in one hour ... a small place, one room whose key creates a personalized and private experience for every person that walks through it's door--another room, the ballroom where billions of people can congregate together, sort of in invisible layers on top of each other--meeting people through an Ai algorithm that connects to my letters, the k-NN of K's nearest neighbors.  It's the key to the "Konami cheat code" going up through the Doors to Atlantis and then up again to the second floor of that "privatz" room, where the Pool of Bethesda waits for everyone to ignore the warning signs and take a dip in the rejuvenating and invigorating pool that is depicted in Zelda and Coccoon and ...  
In the dream, tentatively titled "Venice is every town" as a Lauderdam (dark to right the message) of Live's Babylon is every town -- and then... the initials of V i e t nam began there's hot dog stands floating on hoverboards and housing replicators with a special menu of Eggplant Parm rather than bread, or Cake instead... maybe some Romulan Ale as the heart of Moulon Rouge... we could be heroes... I'm trying to show you it really can be done overnight, Salvation can really happen in one hour.
And the world might go back to n or mal the next day, and the whole thing could be a shared dream that sparks a Revolution; or if you don't listen to a word I say ... it might happen again, and you'll just forget it -- just like every other time I sing "rememver the day the jails disappear."
And you also have a map of a number of problems here in our home that these technologies can help to quickly remedy... what I'm trying to say is that you have what you need to get what you want--all you have to do is ask.

Use the Force... Luke.
You have a message from the media too, it says in one resounding thunder of "go.. el" East of Eden we don't care about the truth, or about reporting news--or really about the people with cancer and the people with AIDS and the people that can't walk or see.  That's the message of Silence--we don't care.  You can see it's organized, and it's coming from an outside influence--so now see we're being made to not care about ourselves, and the only way to turn that around is to admit that we were wrong yesterday and do better today.
the silence is deafening, the silence is blinding
I hope you really see that something has to be done--that we have to move forward and use this information ... to acknowledge it and see that it really can solve many of the problems civilization has faced--and really see that today it appears you would do nothing, and you aren't even willing to say that out loud.  There's a planet full of people here that either can't see very clear patterns or are pretending that they can't see them--by "see" I mean understand the implications and the purpose of placing such an important message all over everything--something is very vroncj.
Find new meaning, by "remember" I mean.. don't forget.
_ שֶׁהֶחֱיָנוּ וְקִיְּמָנ‬
וְהִגִּיעָנוּ לַזְּמַן יהוה
I Z 2 C IT
On that note you might want to actually save the text of these messages; I don't think the world, I dont think you realize how easily it could just vanish from the internet without a trace--in our current state it could also vanish from your minds--and I don't understand why you aren't listening.  




Hello, hello; you say "who?" ... I don't know why.


---------- Forwarded message ----------

From: Adam M. Dobrin <ad a da m @ from the machine dot org>

Date: Fri, Mar 16, 2018 at 7:15 PM

Subject: Quora Moderation collapsed your answer for violating a policy on Quora.

To: Salud as is ter Y <mayer@lamc dot la>

Your moderation infrastructure has been infiltrated by a force of evil, like every other moderation infrastructure on the planet--I suggest you root it out, I have an easy way to find it.  You should see clearly that this answer was "properly attributed" to Jesus Christ (and why... to why).

I am the source; and you are looking at the line of Judgement.

On Fri, Mar 16, 2018 at 6:43 PM, Quora <moderation-noreply@quora.com> wrote:


Quora Moderation collapsed your answer for violating a policy on Quora.


Quora Moderation collapsed your answer to Have you ever searched for the answer to the question "Why am I here?" and found it? I read the Holy coda of the Matrix and "YMIR" appears to be a suggested answer from, to, for, see "above." for violating a policy on Quora.

Your answer needs attribution

This answer should explicitly attribute and provide a link to the source of any content that was originally posted on other sources. Lengthy quotations from other sources must be placed in blockquotes. Answers that are collapsed for this reason will not be uncollapsed, even if subsequently edited. Writers must attribute sources and use blockquotes, even if an answer makes some changes/edits to the original material. See Quora's Plagiarism Policy for more information.

To see the answer page, visit: Have you ever searched for the answer to the question "Why am I here?" and found it? I read the Holy coda of the Matrix and "YMIR" appears to be a suggested answer from, to, for, see "above."


Me neither, here's His answer though. There is a fundamental truth being delivered to the world through a message that is undeniable and resounding in everything we are—everywhere we look. The true nature of our existence is that we have been created in a virtual world whose purpose—the Holy Purpose of Creation is to build Heaven.
That might not sound so profound, but when you look around and see the Gates, when you see Microsoft and you see Seagate as clues that we are in a place of learning and understanding the inner workings of the place we called Heaven before it was Home.
There’s a map to freedom’s shore, to the end of disease and the end of hunger … eventually to immortality and to … to fun; I still am pretty sure.
I should have something decent written for tomorrow's "for he so loved the world" (that he postponed taxes another month?) day,  I'm trying to weave the "gaminess" of the "Geninxboxdock Whisky" where now I wanna say "there's a genie in the Xbox do see the key!" with the obvious character clues of Gilgamesh and Demosthenes ... probably without mentioning Inanna and DumbyouZida which you can see in the family-decision-tree of those Gods.  Indiana Jones though... and the temple of what it takes to be the Father of modern "final frontier" colonization connecting Zephram Cockran to Robert Goddard whose name does appear to be correctly read in no other way than "God is the road" and that's probably got something to do with the key to Asgard and ... 
I really want to move forward ... if someone can explain to me why the entire world appears to unanimously feel that if I had enough money to put an ad in ... say The Atlantic or something; that would be detrimental to the fictitious alien race called the Silence depicted in Dr. Who--if you haven't seen it; now is a good time to really get the imagery that there is an alien influence in your minds, keeping you from speaking frankly, from communicating humanely and from really "getting the gist," that overcoming this barrier is going to make the world a better place very quickly because we can, and we should, and we want to... at least I'm pretty sure that's what we want.  Need feedback, need public discussion, need to see that we are approaching a sort of "precipice" except there is no fiery lake or bottomless pit--what we are approaching is the Singularity, and it's inevitable--just as it's inevitable that it will have a positive impact on our world and our way of life--all the more positive as more people participate in directing the course of our future.  That's what this is, it's a revolution of direction--and the faster you start to see that you need to talk to the world; the better.  
Anyway I'm going to do a detailed explanation of the "hey guys, I like to start with saying d minus o is eleven" key, and my personal history of Revelation tying to it--because I really think that it's a screaming lit sign that we are in the Matrix and that it must not be clearly understood ... as exactly that ... a message from the Matrix fundamentally altering the basic foundation of our existence for the better ... just as soon as it's acknowledged.
I'm going to continue my little "walk through" and I think I can make a short "pamphlet" maybe like "Common Sense" suggesting exactly how the end of land scarcity, power scarcity, and the end of most diseases (followed "ylckuiq" by the end of aging and death) are good first giant leaps towards Heaven or utopia or Atlantis or whatever you want to call the destination that is dictated to the chosen--to you--by fate and destiny.   See clearly there is a conversation about DNA and reproduction looming just over the bright shining first rays of the horizon that is demanding that we see not working to end Cancer and AIDS is not an option, nor is it an option to end "birth."  
I hate to break it to you but doing nothing is not an option either.  We must move forward with acknowledgement of the truth, and while "Hi-V these AIDS will help us see" that we're right as rain and that conversation or maybe just courage to speak will start the "ball rolling" on this ending Hell ... thing.
I'm pretty sure you guys also see "press and release" tying to free speech and democracy; and participation... we have a clear path, special "intel" coming from website names here like the loss knol voat; see "null vote" and how it connects to "empeopled."  Creating a working prototype to show how "blockchain" is a divinely given name for a way to block the chain of censorship held in the hand of the angel of Revelation 20:1 is not a difficult task--it's fucking insane that nobody is calling or emailing me to work on that.  I mean, it's "destiny" and "inevitable" that there should be many start up competitors to fight the censorship on Reddit (et al, they are glowing to show the chain to you) and ... hello?
Soo here's YMIR, c as "why am I here?"


From Wikipedia, the free encyclopedia
For other uses, see Ymir (disambiguation).
Ymir suckles from the cow Auðumbla while she licks Búri from the ice in a painting by Nicolai Abildgaard(1790) inspired by the Prose Eddanarrative
In Norse mythologyYmirAurgelmirBrimir, or Bláinn is the ancestor of all jötnar. Ymir is attested in the Poetic Edda, compiled in the 13th century from earlier traditional material, in the Prose Edda, written by Snorri Sturluson in the 13th century, and in the poetry of skalds. Taken together, several stanzas from four poems collected in the Poetic Edda refer to Ymir as a primeval being who was born from venom that dripped from the icy rivers Élivágar and lived in the grassless void of Ginnungagap. Ymir birthed a male and female from the pits of his arms, and his legs together begat a six-headed being. The gods OdinVili and Vé fashioned the Earth(elsewhere personified as a goddessJörð) from his flesh, from his blood the ocean, from his bones the mountains, from his hair the trees, from his brains the clouds, from his skull the heavens, and from his eyebrows the middle realm in which mankind lives, Midgard. In addition, one stanza relates that the dwarfs were given life by the gods from Ymir's flesh and blood (or the Earth and sea).
In the Prose Edda, a narrative is provided that draws from, adds to, and differs from the accounts in the Poetic Edda. According to the Prose Edda, after Ymir was formed from the elemental drops, so too was Auðumbla, a primeval cow, whose milk Ymir fed from. The Prose Edda also states that three gods killed Ymir; the brothers OdinVili and Vé, and details that, upon Ymir's death, his blood caused an immense flood. Scholars have debated as to what extent Snorri's account of Ymir is an attempt to synthesize a coherent narrative for the purpose of the Prose Edda and to what extent Snorri drew from traditional material outside of the corpus that he cites. By way of historical linguistics and comparative mythology, scholars have linked Ymir to Tuisto, the Proto-Germanic being attested by Tacitus in his 1st century AD work Germania and have identified Ymir as an echo of a primordial being reconstructed in Proto-Indo-European mythology.


Poetic Edda[edit]

Ymir is mentioned in four poems in the Poetic EddaVöluspáVafþrúðnismálGrímnismál, and Hyndluljóð. In Völuspá, in which an undead völva imparts knowledge in the god Odin, references are twice made to Ymir. In the first instance, the third stanza of the poem, Ymir is mentioned by name:
Benjamin Thorpe translation:
There was in times of old, where Ymir dwelt,
nor sand nor sea, nor gelid waves;
earth existed not, nor heaven above,
'twas a chaotic chasm, and grass nowhere.[1]
Henry Adams Bellows translation:
"Of old was the age when Ymir lived;
Sea nor cool waves nor sand there were;
Earth had not been, nor heaven above,
But a yawning gap, and grass nowhere."[2]
In the above translations the name of the location Ginnungagap is translated as "chaotic chasm" (Thorpe) and "yawning gap" (Bellows). Later in the poem, a few other references are apparently made to Ymir as Brimir and Bláinn (here anglicized as Blain):
Then went all the powers to their judgement-seats,
the all-holy gods, and thereon held council,
who should of the dwarfs race create,
from the sea-giant's blood and livid bones.[3]
"Then sought the gods their assembly-seats,
The holy ones, and council held,
To find who should raise the race of dwarfs
Out of Brimir's blood and the legs of Blain."[4]
In this stanza Thorpe has treated Brimir (Old Norse "the bloody moisture") and Blain (Old Norse, disputed) as common nouns. Brimir and Blain are usually held to be proper names that refer to Ymir, as in Bellows's translation.[4]
In the poem Vafþrúðnismál, the (disguised) god Odin engages the wise jötunn Vafþrúðnir in a game of wits. Odin asks Vafþrúðnir to tell him, if Vafþrúðnir's knowledge is sufficient, the answer to a variety of questions. In the first of which that refers to Ymir, Odin asks from where first came the Earth and the sky. The jötunn responds with a creation account involving Ymir:
From Ymir's flesh the earth was formed,
and from his bones the hills,
the heaven from the skull of that ice-cold giant,
and from his blood the sea.[5]
"Out of Ymir's flesh was fashioned the earth,
And the mountains were made of his bones;
The sky from the frost cold giant's skull,
And the ocean out of his blood."[6]
As the verbal battle continues, a few more exchanges directly refer to or may allude to Ymir. Odin asks what ancient jötun is the eldest of "Ymir's kin", and Vafþrúðnir responds that long, long ago it was Bergelmir, who was Þrúðgelmir's son and Aurgelmir's grandson. In the next stanza Odin asks from where Aurgelmir came from so long ago, to which Vafþrúðnir responds that venom dropped from Élivágar, and that these drops grew until they became a jötunn, and from this being descends the jötnar. Finally, Odin asks how this being begat children, as he did not know the company of a female jötunn, to which Vafþrúðnir responds that from beneath the ancient jötunn's armpits together a girl and a boy grew, and his feet together produced a six-headed jötunn.[7]
In the poem Grímnismál, the god Odin (disguised as Grímnir) imparts in the young Agnarr cosmological knowledge. In one stanza, Odin mentions Ymir as he recalls the fashioning of the world from his body:
Of Ymir's flesh was earth created,
of his blood the sea,
of his bones the hills,
of his hair trees and plants,
of his skull the heaven;
and of his brows the gentle powers
formed Midgard for the sons of men;
but of his brain
the heavy clouds are all created.[8]
"Out of Ymir's flesh was fashioned the earth,
And the ocean out of his blood;
Of his bones the hills, of his hair the trees,
Of his skull the heavens high."
"Mithgarth the gods from his eyebrows made,
And set for the sons of men;
And out of his brain the baleful clouds
They made to move on high."[9]
In a stanza of Völuspá hin skamma (found in the poem Hyndluljóð), Ymir receives one more mention. According to the stanza, völvas are descended from Viðòlfr, all seers from Vilmeiðr, all charm-workers from Svarthöfði, and all jötnar descend from Ymir.[10]

Prose Edda[edit]

Ymir is mentioned in two books of the Prose EddaGylfaginning and Skáldskaparmál. Ymir is first mentioned in chapter 5 of the prior, in which High, Just-As-High, and Thirdtell Gangleri (the disguised mythical king Gylfi) about how all things came to be. The trio explain that the first world to exist was Muspell, a glowing, fiery southern region consisting of flames, uninhabitable by non-natives. After "many ages" Niflheimr was made, and within it lies a spring, Hvergelmir, from which flows eleven rivers.[11]
Gangleri asks the three what things were like before mankind. High continues that these icy rivers, which are called Élivágar, ran so far from their spring source that the poisonous matter that flows with them became hard "like the clinker that comes from a furnace"—it turned to ice. And so, when this ice came to a halt and stopped flowing, the vapor that rose up from the poison went in the same direction and froze to rime. This rime increased, layer upon layer, across Ginnungagap.[12]
Just-As-High adds that the northern part of Ginnungagap was heavy with ice and rime, and vapor and blowing came inward from this. Yet the southern part of Ginunngagap was clear on account of the sparks and molten flecks flying from Muspell. Third assesses that "just as from Niflheim there was coldness and all things grim, so what was facing close to Muspell was hot and bright, but Ginunngagap was as mild as a windless sky". Third adds that when the rime and hot air met, it thawed and dripped, and the liquid intensely dropped. This liquid fell into the shape of a man, and so he was named Ymir and known among the jötnar as Aurgelmir, all of which descend from him. In support of these two names, Third quotes a stanza each from Völuspá hin skamma and Vafþrúðnismál.[12]
Gangleri asks how generations grew from Ymir, how other beings came into existence, and if Ymir was considered a god. High says that Ymir was by no means considered a god, and says that "he was evil and all his descendants". High explains that Ymir is the ancestor of all jötnar (specifically hrimthursar), and that it is said that when Ymir slept, he sweated, and from his left arm and right arm grew a male and a female, and his left leg produced a son with his right leg, and from them came generations.[13]
Ymir is attacked by the brothers Odin, Vili, and Vé in an illustration by Lorenz Frølich.
Gangleri asks where Ymir lived and what sustained him. High explains that the drips next produced a cow named Auðumbla. From her teats flowed four rivers of milk, and from it fed Ymir. Gangleri asks what the cow fed from, and High responds that the cow licked salty rime-stones. The first day Auðumbla licked the rime stones it uncovered that evening the hair of a man. The second day it uncovered his head. The third day a man was uncovered from the ice. This man was named Búri, and was large, powerful, and beautiful to behold. Búri had a son, Borr, who married a jötunn, Bestla, the daughter of Bölþorn. The two had three sons; Odin, Vili, and Vé. High adds that "Odin and his brothers must be the rulers of heaven and earth; it is our opinion that this must be what he is called. This is the name of one who is the greatest and most glorious that we know, and you would well to agree to call him that too".[13]
High relates that Odin, Vili, and Vé killed Ymir, and his body produced so much blood from his wounds that within it drowned all the jötnar but two, Bergelmir, who, on a lúðr with his (unnamed) wife, survived and repopulated the jötnar.[13]
Gangleri asks what, if High, Just-As-High, and Third believe the trio to be gods, what the three did then. High says that the trio took the body into the middle of Ginnungagap and from his flesh fashioned the Earth, from his blood the sea and lakes, from his bones rocks, scree and stones his teeth, molars, and bones. Just-As-High adds that from his gushing wounds they created the sea that surrounds the Earth. Third says that the trio took his skull and placed it above the Earth and from it made the sky. They placed the sky above the earth, and, to hold up the sky, they placed four dwarfs—Norðri, Suðri, Austri and Vestri—at its four corners. The trio took the molten particles and sparks that flew from Muspell and "they fixed all the lights, some in the sky, some moved in a wandering course beneath the sky, but they appointed them positions and ordained their courses". Third cites a stanza from Völuspá in support, stating that by ways of these sky lights days and years were reckoned and counted, and that the stanza reflects that the cosmological bodies did not know their places prior to the creation of earth.[14]
Gangleri comments that what he has just heard is remarkable, as the construction is both immense and made with great skill, and asks how the earth was arranged. High replies that the world is circular, and around it lies the depths of the sea. Along the shore the gods gave land to the jötnar. However, on the inner side on earth they made a fortification against the hostility of the jötnar out of Ymir's eyelashes. This fortification they called Midgard. Further, they took Ymir's brains and threw them skyward, and from them made clouds. Another two stanzas from Völuspá are cited in support.[15]
Later in Gylfaginning High explains the origin of the dwarfs. High says that after Asgard had been built, and the gods assembled on their thrones and held their things. There they "discussed where the dwarfs had been generated from in the soil and down in the earth like maggots in flesh. The dwarfs had taken shape first and acquired life in the flesh of Ymir and were then maggots, but by decision of the gods they became conscious with intelligence and had the shape of men though they live in the earth and in rocks". Stanzas from Völuspá consisting of dwarf names are then provided to show the lineage of the dwarfs.[16]
In the book Skáldskaparmál poetic means of referring to the sky are provided, some of which relate to the narrative in Gylfaginning involving Ymir, including "Ymir's skull" and "jötunn's skull", or "burden of the dwarfs" or "helmet of Vestri and Austri, Sudri, Nordri". A portion of a work by the 11th century skald Arnórr jarlaskáld is also provided, which refers to the sky as "Ymir's old skull".[17] Later in Skáldskaparmál poetic terms for the earth are provided, including "Ymir's flesh", followed by a section for poetic terms for "sea", which provides a portion of a work by the skald Ormr Barreyjarskald where the sea is referred to as "Ymir's blood".[18]
Both the names Aurgelmir and Ymir appear in a list of jötnar in the Nafnaþulur section of Skáldskaparmál.[19]

Theories and interpretations[edit]

Lost sources[edit]

As Gylfaginning presents a cohesive narrative that both quotes stanzas from various poems found in the Poetic Edda (as outlined above) as well as contains unique information without a provided source (such as Auðumbla), scholars have debated to what extent Snorri had access to outside sources that no longer survive and to what extent he synthesized a narrative from the material he had access to.[20]
Regarding the situation, scholar Gabriel Turville-Petre comments (1964) that "at the beginning, according to Snorri's text of the poem, there was nothing but a void, although according to other texts, the giant Ymir existed already then. Considering how Ymir (Aurgelmir) was said to have taken shape, both Snorri and the Vafþrúðnismál, we may think that Snorri followed the better version of Vǫluspá" and, regarding Snorri's account of the cosmogenesis in general, that "from these sketches of the poetic sources from which he chiefly drew it is obvious that Snorri described several incidents which cannot be traced to them, at least in their extant forms". Turville-Petre cites Snorri's account of Auðumbla as a prime example, noting Indo-European parallels (Persian and Vedic) and parallels in the Egyptian goddess Hathor.[21]
Scholar Hilda Ellis Davidson (1964) comments that "the original form of the creation myth in the north is not easy to determine. Snorri knew of at least three separate accounts".[22]

Tuisto, parallels, and Proto-Indo-European religion[edit]

In the 1st century AD, Roman historian Tacitus writes in his ethnographic work Germania that the Germanic peoples sing songs about a primeval god who was born of the Earth named Tuisto, and that he was the progenitor of the Germanic peoples. Tuisto is the Latinized form of a Proto-Germanic theonym that is a matter of some debate. By way of historical linguistics some scholars have linked Tuisto to the Proto-Germanic theonym *Tiwaz, while other scholars have argued that the name refers to a "two-fold" or hermaphroditic being (compare Old Swedish tvistra, meaning "separate"). The latter etymology has led scholars to a connection to Ymir on both linguistic and mythical grounds.[22]
By way of historical linguistics and comparative mythology, scholars have linked Ymir to other primordial, sometimes hermaphroditic or twin beings in other Indo-European mythologies and have reconstructed elements of a Proto-Indo-European cosmological dissection. Citing Ymir as a prime example, scholars J. P. Mallory and Douglas Q. Adams comment that "the [Proto-Indo-European] cosmogonic myth is centered on the dismemberment of a divine being—either anthropomorphic or bovine—and the creation of the universe out of its various elements". Further examples cited include the climactic ending of the Old Irish Táin Bó Cúailnge where a bull is dissected that makes up the Irish geography, and apparently Christianized forms of the myth found in the Old Russian Poem of the Dove King, the Frisian Frisian Code of Emsig, and Irish manuscript BM MS 4783, folio 7a. Other examples given include Ovid's 1st century BC to 1st century AD Latin Metamorphoses description of the god Atlas's beard and hair becoming forests, his bones becoming stone, his hands mountain ridges, and so forth; the 9th century AD Middle Persian Škend Gumānīg Wizār, wherein the malevolent being Kūnī's skin becomes the sky, from his flesh comes the earth, his bones the mountains, and from his hair comes plants; and the 10th century BC Old Indic Purusha sukta from the Rig Veda, which describes how the primeval man Purusha was dissected; from his eye comes the sun, from his mouth fire, from his breath wind, from his feet the earth, and so on. Among surviving sources, Adams and Mallory summarize that "the most frequent correlations, or better, derivations, are the following: Flesh = Earth, Bone = Stone, Blood = Water (the sea, etc.), Eyes = Sun, Mind = Moon, Brain = Cloud, Head = Heaven, Breath = Wind".[23]
Adams and Mallory write that "In both cosmogonic myth and the foundation element of it, one of the central aspects is the notion of sacrifice (of a brother, giant, bovine, etc.). The relationship between sacrifice and cosmogony was not solely that of a primordial event but the entire act of sacrifice among the Indo-Europeans might be seen as a re-creation of the universe where elements were being continuously recycled. [ . . . ] Sacrifice thus represents a creative re-enactment of the initial cosmic dismemberment of a victim and it helps return the material stuff to the world".[24]


Hilda Ellis Davidson further links accounts of the jötunn Þjazi's eyes flung into the heavens by Odin and the frozen toe of Aurvandil tossed into the sky by the god Thor, the eyes in the prior case becoming stars and the toe in the latter case becoming a star known as "Aurvandil's Toe". Davidson comments that "these myths are evidently connected with names of constellations, but the strange reference to a frozen toe suggests that there is some connexion with the creation legion of the giant that emerged from the ice".[25]


  1. Jump up^ Thorpe (1866:3).
  2. Jump up^ Bellows (1923:4).
  3. Jump up^ Thorpe (1866:4).
  4. Jump up to:a b Bellows (1923:6).
  5. Jump up^ Thorpe (1866:14).
  6. Jump up^ Bellows (1923:74).
  7. Jump up^ Thorpe (1866:15—16), Bellows (1923:76—77), and Orchard (2011:44).
  8. Jump up^ Thorpe (1866:24—25).
  9. Jump up^ Bellows (1923:100—101).
  10. Jump up^ Bellows (1923:229) and Thorpe (1866:111).
  11. Jump up^ Faulkes (1995:9—10).
  12. Jump up to:a b Faulkes (1995:10).
  13. Jump up to:a b c Faulkes (1995:11).
  14. Jump up^ Faulkes (1998:12).
  15. Jump up^ Faulkes (1998:12—13).
  16. Jump up^ Faulkes (1998:16—17).
  17. Jump up^ Faulkes (1998:88).
  18. Jump up^ Faulkes (1998:90).
  19. Jump up^ Faulkes (1998:155—156).
  20. Jump up^ Turville-Petre (1964:276—277) and Davidson (1990:199).